On the Same Page is a collaborative book club hosted by the Wood Theater and Black Walnut Books. We meet at 6:30pm on the first Wednesday of each month at the Charles R. Wood Theater Cabaret Space (207 Glen Street). Each month’s book is 10% off for members of the book club or you may choose to forego the discount and make a donation to the Wood Theater and its mission! Just choose either donation or discount when adding books to your cart.

Participation in On the Same Page is completely free and all are welcome! Sign-ups are encouraged to allow us to plan for meeting sizes and send reminders but are not required! Feel free to drop in!

April Pick: Carry
Wednesday April 3rd at 6:30PM
Wood Theater Cabaret Space [207 Glen Street]

A powerful, poetic memoir about what it means to exist as an indigenous woman in America, told in snapshots of the author’s encounters with gun violence.

Toni Jensen grew up around guns: As a girl, she learned to shoot birds in rural Iowa with her father, a card-carrying member of the NRA. As an adult, she’s had guns waved in her face near Standing Rock, and felt their silent threat on the concealed-carry campus where she teaches. And she has always known that in this she is not alone. As a Métis woman, she is no stranger to the violence enacted on the bodies of indigenous women, on indigenous land, and the ways it is hidden, ignored, forgotten.

In Carry, Jensen maps her personal experience onto the historical, exploring how history is lived in the body and redefining the language we use to speak about violence in America. In the title chapter, Jensen connects the trauma of school shootings with her own experiences of racism and sexual assault on college campuses. “The Worry Line” explores the gun and gang violence in her neighborhood the year her daughter was born. “At the Workshop” focuses on her graduate school years, during which a workshop classmate repeatedly killed off thinly veiled versions of her in his stories. In “Women in the Fracklands”, Jensen takes the listener inside Standing Rock during the Dakota Access Pipeline protests and bears witness to the peril faced by women in regions overcome by the fracking boom.

In prose at once forensic and deeply emotional, Toni Jensen shows herself to be a brave new voice and a fearless witness to her own difficult history – as well as to the violent cultural landscape in which she finds her coordinates. With each chapter, Carry reminds us that surviving in one’s country is not the same as surviving one’s country.

May Pick: The Book of Form and Emptiness
Wednesday May 1st at 6:30PM
Wood Theater Cabaret Space [207 Glen Street]

A brilliantly inventive new novel about loss, growing up, and our relationship with things, by the Booker Prize-finalist author of A Tale for the Time Being.

After the tragic death of his beloved musician father, fourteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house–a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn’t understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous. At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world, where “things happen.” He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many. And he meets his very own Book-a talking thing-who narrates Benny’s life and teaches him to listen to the things that truly matter. With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki-bold, wise, poignant, playful, humane and heartbreaking.

June Pick: I Keep My Exoskeletons to Myself
Wednesday June 5th at 6:30PM
Wood Theater Cabaret Space [207 Glen Street]

In a United States not so unlike our own, the Department of Balance has adopted a radical new form of law enforcement: rather than incarceration, wrongdoers are given a second (and sometimes, third, fourth, and fifth) shadow as a reminder of their crime—and a warning to those they encounter. Within the Department, corruption and prejudice run rampant, giving rise to an underclass of so-called Shadesters who are disenfranchised, publicly shamed, and deprived of civil rights protections.

Kris is a Shadester and a new mother to a baby born with a second shadow of her own. Grieving the loss of her wife and thoroughly unprepared for the reality of raising a child alone, Kris teeters on the edge of collapse, fumbling in a daze of alcohol, shame, and self-loathing. Yet as the kid grows, Kris finds her footing, raising a child whose irrepressible spark cannot be dampened by the harsh realities of the world.

With a first-person register reminiscent of the fierce self-disclosure of Sheila Heti and the poetic precision of Ocean Vuong, I Keep My Exoskeletons to Myself is a bold debut novel that examines the long shadow of grief, the hard work of parenting, and the power of queer resistance.

Goodreads Choice Award Nominee for Best Science Fiction [2023] Nominee for Best Debut Novel [2023] 

July Pick: Bunny
Wednesday July 3rd at 6:30PM
Wood Theater Cabaret Space [207 Glen Street]

We were just these innocent girls in the night trying to make something beautiful. We nearly died. We very nearly did, didn’t we?

Samantha Heather Mackey couldn’t be more of an outsider in her small, highly selective MFA program at New England’s Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort–a clique of unbearably twee rich girls who call each other Bunny, and seem to move and speak as one.

But everything changes when Samantha receives an invitation to the Bunnies’ fabled Smut Salon, and finds herself inexplicably drawn to their front door–ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies’ sinister yet saccharine world, beginning to take part in the ritualistic off-campus Workshop where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision.

The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination.

Goodreads Choice Award Nominee for Best Horror [2019] Named a Best Book of 2019 by TIME, Vogue, Electric Literature, and The New York Public Library

August Pick: Babel
Wednesday August 7th at 6:30PM
Wood Theater Cabaret Space [207 Glen Street]

From award-winning author R. F. Kuang comes Babel, a historical fantasy epic that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British Empire.

Traduttore, traditore: An act of translation is always an act of betrayal.

1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. The tower and its students are the world’s center for translation and, more importantly, magic. Silver-working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as the arcane craft serves the Empire’s quest for colonization.

For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide . . .

Can powerful institutions be changed from within, or does revolution always require violence?

Goodreads Choice Award Nominee for Best Fantasy [2022]